This 1989 film from Canada is a charming exploration of the creative process. It follows a group of actors who put on a passion play in Montreal. The church authorities take against the main actor, playing Jesus, and, as he and his group deal with the hostility, his life starts to mirror that of Jesus himself.
It is a French- Canadian film from director Denys Arcand with Lothaire Bluteau in the main role of Daniel. At the start of the film Daniel is encouraged to modernise the passion play to bring a new sense of purpose to a tired format. It is the hope of the priest that there will be renewed interest in the play as a result. This mission inspires Daniel who throws himself into research only to come up with an interpretation that offends the catholic church. As the play continues, the church resorts to stronger tactics to stop it.
The film works well when it mirrors the gospel story. Daniel collects his troupe of actors from among the less desirable of society, he is accepted and then rejected by the authorities, he has an outburst when he thinks others have desecrated his craft. The ending is the most problematic because of the obvious links with the bible but it is a satisfactory way of drawing the film to an end.
‘Jesus of Montreal’ is in my hinterland. What’s in yours?